Instructions for Use

Instructions for Use

Solo piece created in collaboration with visual artist Chris Crickmay. Directed and performed by Alice Tatge.
The piece deals with the concept of rituals in relation to a series of objects, present within the performative space.
SoundScape by Wajid Yaseen.
Premiered at Dartington College of Arts, 3rd of November 2007 and Area 10, Peckham Project Space for Collision Festival, 8 March 2008.
©Tatge Crickmay Yaseen 2008.

The White Room

The White Room

Directed by Suka Off

WHITE ROOM is a performance project started by SUKA OFF in 2006. It combines the main features of SUKA OFF work – multimedia and elements of body art, but its aesthetics and the narrative are firmly rooted in theatre. It’s partially a life installation created in front of the audience’s eyes, partially a dark fairy tale for adults.

WHITE ROOM is an abstract place, hidden deep inside our body. A vessel filled with all superfluous emotions, suppressed fears and fantasies. It is an isolated space, a prison / hospital / asylum, where our alternative identities are kept to never become flesh. If you look inside the “white room”, you’ll see yourself.



Memento Mori

Memento Mori

-2

A site-specific project created in 2005 for Candoco Dance Company and Greenwich Dance Agency and influenced by research in Italy on Western religious iconography. Supported by Candoco and guided by curators from the National Gallery and the Courtauld Institute.

Directed by Athina Vahla

The Windows were Walled

The Windows were Walled

-2

Directed by Gail Sneddon and Athina Vahla :

A promenade performance that animated the hidden spaces of the magnificent 1930’s Greenwich Borough Hall. The piece drew inspiration from Lewis Carroll’s Alice Through the Looking Glass and used the element of glass as a lens through which to view a world that oscillated between reality and illusion
Commissioned by Greenwich Dance Agency for London Open House.

Project Dog Ear

Project Dog Ear

dog ear

Directed by Gail Sneddon

Johnny Dog Ear’ is an audio/visual piece based on research conducted around the idea of transplanting the inner ear of a dog into the inner ear of a human.

Spaces Between

Spaces Between

spaces between

Directed by Athina Vahla

A site-specific work for the foyers and public spaces to celebrate the re-opening of the Royal Festival Hall, Southbank Centre taking as its starting point the Festival of Britain in 1951 and traced post war British society to the present day.

The six floors of the Royal Festival Hall became the decks of a ghost ship journeying along the Thames bringing the past to the present and anticipating a future that is about to unfold.